Amnesty International’s Write for Rights Global Write-a-Thon

Prompted by an advertisement on Facebook, this year I signed up for Amnesty International’s Annual ‘Write for Rights’ Global Write-a-Thon.

According the Amnesty’s website, Write for Right is the largest letter writing campaign in the world. From December 4th – 12th, people in over 50 countries will be writing letters to political leaders, to ask for the release of prisoners of conscience, to seek justice for human rights offenses, and to ask protection for people at risk of human rights abuses.

What is a prisoner of conscience, you might ask? These prisoners are generally peace activists who have been imprisoned by exercising their rights to freedom of expression, freedom of speech or for organizing peace rallies. In most cases, you’re asking leaders of foreign governments to uphold their own constitutions, or the commitments they’ve made by signing onto international human rights treaties. Examples of prisoners of conscience from the past, who have now been released, include Nelson Mandela and Aung San Suu Kyi.

Amnesty’s goal is to have 350,000 letters sent during this year’s campaign. At the time I write this, just over 235,000 letters have so far been pledged to be written. You can sign up to participate on their website, and then they will send you an e-mail linking your to their resource guide with backgrounds on particular human rights abuse cases that are targeted this year, tips for writing letters and sample letters. You can participate in a letter writing event with other activists that are taking place in cities across the globe or choose to write from the comfort of your home.

Examples of letters that can be written this year are to demand the release of political prisoners in Iraq, Indonesia and China; to encourage the United States House of Representatives to pass the Global MOMS Act for improved access to maternal health; to call on the president of the Democratic Republic of the Congo to address how rape is being used as a weapon of war in his country; to call for safe and humane housing for Roma people in Romania; and to protect the safety of a women’s rights defender in Guatemala.

My letter to the President of Mexico, asking for him to seek justice in the case of over a dozen women in Atenco who were tortured and sexually assaulted by police officers

The cool thing is that letter writing has actually proven to be successful in past campaigns. On another Amnesty web page, you can read about these successes and political prisoners who have been released in years past following an international outcry.

For those of you who are like me, and may not be able to financially help people in need this holiday season, the Write for Rights campaign is a way you can make a difference for less than $10 (the only cost is really the postage stamps). If you don’t have much time either, even writing one letter can make a difference.

My letters ready to be sent, sorted into piles for domestic and international addresses.

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Some Girls Virtual Book Discussion

Some Girls: My Life in a Harem by Jillian Lauren. Published in 2010.

Synopsis: Jillian Lauren was barely eighteen and an NYU dropout with a not-as-glamorous-as-planned semi-career blooming as an actress/stripper/call girl. At a ‘casting call’ she is offered the opportunity to go to Brunei for two weeks to serve as wallpaper/entertainment at nightly parties for the Sultan’s younger brother. Not only is this book a memoir of Lauren’s time as the prince’s concubine, but it is also a revealing story of the path that led her there and the journey that led her to discover her true self.

About the Author: Jillian Lauren grew up in Newark, New Jersey, later moving to New York to pursue an acting career. After her stint as high-class prostitute, she was a performance artist/actress, later moving to San Francisco and now Los Angeles. She has an MFA in Creative Writing from Antioch University and now lives in Los Angeles with her husband and son. Some Girls, her first book, is a New York Times best-seller, and her first novel will be released in Spring 2011.

My Initial Reactions to the Book

Ok, so the Around the World Virtual Book Club memoirs on life-in-the-sex-work-industy continue. However, I felt that Some Girls was far better written than November’s Candy Girl book club read. I also was amazed by the tell-all nature of Lauren’s memoir. Not only was it a personal account of her life in a harem, but she also delved into her life as a call girl, high-class prostitute, theatre junkie, adoptee in search of her past and young woman trying to find herself.

More than anything, I found the first part of this book exciting for the mere fact that Lauren portrays herself as that wandering, soul-searching girl to whom I can identify. However, I don’t think I would ever find myself as concubine to some selfish, filthy-rich prince. I’ve never been one to wait for a prince charming to save me, but rather I have tried to save myself. I’d rather think of myself as the character of Delia, who only got her moment with the prince once, but rather decided to make the most of her stay in Brunei, to have fun and to turn the opportunity into the greatest success possible.

What is with the realm of girls who are seeking to become the geriatric Hugh Hefner’s Girl-Next-Door, or as in the case of several Some Girls concubines, estranged girlfried of Vince Neil? (On a semi-related side note, last night I was reading online about how Vince Neil was almost voted off Skating with the Stars. This prompted a Wikipedia search of Vince Neil, and after viewing his recent picture and reading about his sexual history, led me to declare to my husband, “I wouldn’t do him for $10 million, even though he basically lives down the street from us in Vegas.” I’m still trying to figure out the 80s/early 90s mystique behind that one.)

Since I’ve begun working with Girls on the Run, I’ve found msyelf ever-more aware of the ‘Girl Box.’ On page 138 of Some Girls, Lauren describes herself as:

Not cute enough, not smart enough, not popular enough, not talented enough, not special enough. I was just an average hustler who could sometimes talk my way into getting what I wanted. New eyershadow or not, I loathed myself in the mirror exactly as much as before.

Why is it that we girls also do that to ourselves? Is it because of the promise of fancy jewerly and tens of thousands of dollars – items monetarily worth more than our masters degrees in the social sciences could ever provide?

I found it interesting that previous reader reviews were mixed – from those who loved the book to those who hated it. So what did you think of the book? Did you love it or hate it? Were you just expecting a glimpse into the Brunei palace to find yourself disappointed or did you enjoy reading more about Lauren’s background as well? Please share your thoughts in the comments section below.

Next up for Discussion: Silent Spring by Rachel Carson. Discussion begins December 16th.

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Fahrenheit 451 Virtual Book Discussion

Fahrenheit 451 by Ray Bradbury. Published in 1953.

Synopsis: In an unspecified future time, Guy Montag is a fireman. Unlike firemen of the present time who put out fires, Mr. Montag’s job is to create fires by burning books, which are now illegal to own in an overly self-absorbed, unhappy world. Montag’s curiosity for what lies in the written word sets him on a path of self-discovery and conflict with his decaying society.

About the Author: Now in his 90s, Ray Bradbury is an American science fiction, fantasy, horror and mystery writer who has published over 500 short stories, novels, plays and poems throughout the course of his lifetime. An accomplished screenwriter, he also was a contributor to the television shows Alfred Hitchcock Presents and The Twilight Zone, and wrote the screenplay for Moby Dick. Fahrenheit 451 was originally published as a three-part series in some of the earliest issues of Playboy magazine.

My Initial Reactions

I checked out the 2003, 50th anniversary edition of this book from the library, which contained 3 separate introductions written by the author in 1953, 1993 and 2003. Of course, I had to read all 3 introductions, partially because the novel itself was so short.

One of the things that excited me from Bradbury’s introductions was that this book idea was essentially developed from his love of libraries, a passion I also share. (In fact, the then-poor Bradbury wrote this book on a rented typewriter at the UCLA library). Imagining a time when libraries were no longer a part of society, and even rejected by society, led him to create this book-burning idea.

You may ask why this book club, which mostly read books written post-2008, has a few classics on the list. The answer is that I wish to examine the relevance of these classics to today’s actual society. From reading Fahrenheit 451 for the first time, I can see some (gross) similarities from the world created by Bradbury around 60 years ago to today.

I am one of those people who is saddened that the economic recession has led to deep cuts in the library system, and wonder if our nation’s decline in appreciation for literacy and education will ever lead to a shunning and irrelevance of books. My husband and I are already shunned by many in society for not having cable television and preferring to stay at home with our noses in books. How far away are we from characters like Mildred, whose lives are absorbed by television so much that she requires a tv set on each wall in her parlor?

One of my favorite quotes from Montag in this book is toward the beginning of the second chapter (pages 101-102 in the 2003 edition):

Every hour so many damn things in the sky! How in the hell did those bombers get up there every single second of our lives! Why doesn’t someone want to talk about it! We’ve started and won two atomic wars since 2022! Is it because we’re having so much fun at home we’ve forgotten the world? Is it because we’re so rich and the rest of the world’s so poor and we just don’t care if they are? I’ve heard rumors; the world is starving, but we’re well fed. Is it true, the world works hard and we play? Is that why we’re hated so much? I’ve heard the rumors about hate, too, once in a long while, over the years. Do you know why?

To some extent, we’re not too far off that mark already. Bradbury also has a few other interesting snipets from his futuristic world that could partially ring true today: (1) Mrs. Bowles saying she had two children by elective Caesarean section because why bother “going through all that agony for a baby” (this is a soap box of mine for another time); (2) the peppermint and saccharine Jesus, who is family-friendly and advertises for people to buy certain consumer products; and (3) the recent presidential election when the women didn’t vote for the man who combed his hair poorly, while not even caring for what he stood for.

So what did you think of the book? Did you read into the political discussion and the relevance for today’s society or just enjoy the book for it’s entertainment value? Why do you think this 60-year-old book is still well-read and popular today? Post your comments below, whether you’ve recently read this book or read it a number of years ago.

Next up for dicussion: Some Girls: My Life in a Harem, a memoir by Jillian Lauren. Discussion begins December 2nd.

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Candy Girl Virtual Book Discussion

Candy Girl: A Year in the Life of an Unlikely Stripper by Diablo Cody. Published in 2006.

Synopsis: Diablo Cody had a college education, a great relationship with her boyfriend, and a secure job at an advertising agency that she wasn’t all too thrilled with. After trying out stripping during ‘amateur night’ in her then-home of Minneapolis, she was hooked. This humorous tell-all memoir traces a year in her 24/25-year-old life, where she worked the full gamut of the stripper industry.

About the Author: Diablo Cody (aka Brook Busey) is best-known as the Academy Award-winning screenwriter of the indie-success film Juno. Prior to her screenwriting success, she enjoyed success blogging at The Pussy Ranch, from which she was allegedly discovered by a Hollywood film producer and talent manager. Other screenwriting talents include the 2009 horror flick Jennifer’s Body and the television show United States of Tara.

My Initial Reactions

I’ll admit that, prior to reading this book, I was already in love with Diablo Cody. Ok, maybe she is one of my heroines. As a current student of screenwriting, how cool is going from unknown blog writer to Oscar-winning screenwriter of a bad-ass movie in a few short years? It gives me hope.

As this is Cody’s only book, I didn’t know what to expect from her writing, and I admit that I was a little annoyed by her too-frequent use of similies and metaphors. That pet peeve aside, I pretty much enjoyed this book. Although I am from Vegas, prior to reading this book, I didn’t know that much about the stripping industry. Now I feel enlightened.

I was impressed that, over the course of a single year, Cody managed to work the full gamut of the stripper industry – amateur night at a seedy club, a high-end topless club, a totally nude ‘chain’ strip club (we have a Deju Vu in Vegas too), the aquarium like peepshow circuit, and even as the voice of a phone sex pro. Prior to reading this book, I had no idea just how much work being a stripper at a club was, with the lap dance quotas, physical fitness required, and the possibility of owing the house at the end of the night. That being said, I was also intrigued by the ‘independent contractor’ side of the industry, the flexibility to set your own hours, and the ability to earn several thousand dollars in one week.

While reading this book, I frequently thought to myself, “Could I be a stripper?” The answer is, probably not. If Cody was an ‘oldie’ at 25, I would be a super geriatric stripper at 31 and I am way too introverted. However, I did relate to Cody’s dissatisfaction with the ‘normal life,’ her restlessness and rebelliousness, and her quest to push herself into unknown waters.

So what did up think of the book? Were you entertained by it and/or grossed out a little bit? Did you try to imagine yourself as a stripper in Cody’s shoes? Feel free to post your thoughts in the comments below.

Next Up: Another ‘book club classics’ selection – Fahrenheit 451 by Ray Bradbury.

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Crazy Horse Paris Meets Las Vegas

Last night being our first wedding anniversary, my husband and I wanted to go to a Vegas show. We had initially planned to go to Peepshow at the Planet Hollywood, but we’d heard from several people that the show wasn’t all that great and there wasn’t a lot of peep involved. In addition, the $70-$150 ticket range seemed a bit steep. Then a friend/colleague of mine recommended Crazy Horse Paris at the MGM Grand as being a sexy and intimate show at less cost, and with friends in town from California, we thought we would check it out.

To give you a little background, Le Crazy Horse de Paris is a French cabaret that opened in Paris in the 1950s. The Vegas show is part of the same franchise and combines semi-nude acts with a few variety performances.  J’adore tout les choses français, so I was hooked on this idea as an anniversary celebration.

For those of you who have been reading my blog for a while, you may remember that on Easter Sunday my husband and I went with these same friends to watch the Bite Topless Vampire Show at the Stratosphere. To recap, I gave that show a “C” due to cheesiness and the inability of the dancers to perform in sync (think elementary school drill team).

Though similar in price (Bite was $50, Crazy Horse Paris $60), Crazy Horse Paris was far more sophisticated. An apparent trademark of the Crazy Horse brand, each dancer was relatively the same in height and breast size and the dancers all wore wigs so that they seemed almost identical in appearance. The choreography of the group acts was top-notch and there were also a fair share of solo and small group numbers that were teasingly sexy, while not being profane. For those of you who are T&A fans, there were plenty to be seen. There were also 2 variety acts that featured incredibly talented male performers, one of which included a hilarious ‘short’ tribute to the late Michael Jackson.

Overall I would give this show a B+. The show appeals to both men and women and the biggest draw is the presentation of the female body as an art form accompanied by classy French cabaret music. My only two complaints are the seating arrangements and the beverage costs. We bought our tickets only 1 hour before the performance, and the closest seats available were at a booth in the second row on the right side of the theatre. We were told that all tickets are the same price ($60), and were not warned in advance of the obstructed view of our seats. I would definitely recommend trying to get seats in the middle of the theatre, even if you’re several rows back.

Also, each of us ordered a single drink to toast our anniversary and the tab came to $73 for 5 drinks, which seemed a bit steep. While I admit to ordering the Taittinger champagne, which was one of the pricier items on the menu, $10+ for cocktails made from well brands is a little too much.

For my husband’s take on the show visit his blog. As we’re planning a trip to Paris next year, perhaps eventually we’ll have a comparison to the original Crazy Horse performance.

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